The sequel to the HANDMAID’S TALE may be set in Gilead, but this next chapter has a new look from a different perspective, which guided the new décor and design with three different characters’ point of view.



In conversation with David Smith SDSA, Set Decorator Patricia Cuccia SDSA and Production Designer Martha Sparrow discuss what drove the new series, starting with unique locations, replicating some of the sets on stage and a significant, stunning build.